GEISHA GAZING IN KYOTO
I was so intrigued by the geisha I promised myself that next time I had the chance to travel to Japan, I would make sure to go to Kyoto, its ancient capital where the geisha culture evolved, and get a glimpse of these women of “the flower and willow world.”
“Gei-sha” literally means arts people. But some may be shocked to read writer Liza Dalby’s summation of a geisha: “Geisha do not marry; but they often have children. They live in organized professional communities of women. They have affairs with married men, and can form liaisons at their own discretion. They derive livelihood from singing, dancing, and chatting with men at banquets.
“They devote their time to learning and performing traditional forms of music and dance. And they always dress in kimono. In various ways they may be like mistresses, waitresses, hostesses, dancers, or performers.”
But are they courtesans or prostitutes? That would make for spirited (pun intended) discussion over sake.
A deluge of books on geisha came out at the start of 2000s. I snapped up a couple of them at Fully Booked, including Downer’s “The Secret History of the Geisha: Women of the Pleasure Quarters” (2001); Mineko Iwasaki’s autobiography “Geisha, A Life” (2002); and Eleanor Underwood’s coffee-table book, “The Life of a Geisha” (2000); This one has a foreword by Dalby, touted to be the only foreigner who has ever trained to become a geisha.
A latecomer to geisha-gazing, I have yet to read Dalby’s own book “Geisha” (1983), which has been made into a TV-movie, and Arthur Golden’s “Memoirs of A Geisha” (1997), which is now a much-hyped film (Author’s note: This first appeared in the Philippine Daily Inquirer, Nov. 27, 2005).
Going to Japan, for me, is always a great aesthetic event. I am fascinated by Japanese logos and signage, manga (comics), and the way they package everything from chocolates to vegetables. Almost everybody extols how neat and orderly their streets are, and how young Japanese women are outré fashionable.
OBSESSION
So, it became almost a personal obsession for me to have a titillating visual experience of the geisha (or geiko in Kyoto) or maiko (apprentice geisha) flitting from one ochaya (teahouse) to another – as the books romantically describe them. Capturing them in photos would be a bonus.
Ochaya is where geishas and maikos work. Says Downer: “It is where there is music, dancing, partying, sometimes food and always plenty of alcohol; tea is the last thing you would expect to find there.”
I was full of anticipation when we – my wife, two of my sisters, and I – got on the shinkansen (bullet train) that would take us west of Kyoto from the super-busy Tokyo station. Traveling at a top speed of 300km/hr, the trip took two hours and 40 minutes, including the quick stops. I had my Nikon F3 and a Canon Ixy ready.
Lonely Planet has advised us against trying to see all of Kyoto in just a few days. Well taken. Our budget was only for two days and all I wanted to visit was Gion, the karyukai or special district in Kyoto where most of the exclusive teahouses are.
Of course, Kyoto offers more than ochaya. It is a small storied city of 1.4 million people with 1,600 temples and shrines, shops for ceramics, hand-painted textiles, kimonos, antiques, handicrafts, and most all, fine cakes.
Japanese high school students from all over the country are required to take field trips to Kyoto to discover their heritage, their Japanese-ness. They say any Japanese will understand who they are as a race only after visiting Kyoto.
Since my geisha hunt would be at nightfall, we decided to spend the daytime seeing some main tourist attractions. A bus ticket costing Y500 (around Php250) allows a person, for one day, limitless bus rides at any route to take him to different spots in the city.
The first place the beaten path led us to was Nijo Castle, a Unesco World heritage site, originally built in 1603 by the Tokugawa Shogunate. Its pride are the exquisite paintings on sliding panels and walls, now being restored with their full gold applications.
The famous “nightingale floors” in the palace are constructed in such a way that they give melodious squeaks when you walk on them. They say this was a security measure against intruders. I wonder if they work against stealthy ninjas.
We also went to the Kyoto Imperial Palace, the original residence of Japan’s Imperial Family until 1868, when the capital was transferred to Tokyo. There was nothing there but a wide expanse, serenity, and audacious crows. To tour the interior palace requires a prior appointment through the imperial household office.
We also saw Kinkakuji, or the golden Pavilion, a three-story Zen temple topped by a Chinese phoenix, its two tiers wrapped in gold leaf. It was formerly a residence of a shogun.
IN GION
But still the top of my itinerary was geisha-hunting. We were in Gion as the blue sky was turning black. I was expecting quiet, dim-lit streets, but was instead greeted by riotous, if not busy, brushstrokes of tourist buses, delivery vans, motorcycles, and Toyota Crown taxis squeezing into the small streets crisscrossing the area. Yet there were interludes of stillness.
Tourists, mostly gaijins like me, were walking back and forth the neat row of teahouses and shops. I suspected, like me, they were wishing to bump into a geisha or maiko going to and coming from work. No such luck.
Our tropa thought of having dinner first and checked on the menus of a couple of steakhouses in Gion, but the prices said, “Bug off!” So we decided to resume our geisha-hunting.
This time we followed our instinct and staked out an unmarked ochaya (a lot of them are) that seemed to be very busy. A taxi disgorged a few distinguished-looking men in suits into it.
A harassed young man was carrying food containers in and out of it. And through the wooden slats of the gate, we could see figures in kimonos going from one room to another. We started to play a game of bantay-pare (waiting).
It was autumn and the air was nippy. We were getting cold and hungry. Then suddenly from another street emerged a beautiful maiko. There was a ripple of gasp and excitement among the tourists.
But nobody among us amateur paparazzi was quick enough to draw his camera. She quickly melted into the ochaya we were staking.
Throughout the night, maikos or geishas, striking with their aura, white faces and resplendent kimonos, appeared like shooting stars. Like apparitions teasing. Behind us. On the right of us. Down the lane. Some were painfully camera-shy and some camera-friendly.
Eerily, our cameras at first wouldn’t work. I soon concluded that this was just the quirkiness of digital buttons jumbling with human nerves.
I was getting embarrassed with myself for intruding the world of geishas, as if I was violating something sacred. But then I rationalized I was just a curious tourist and they were celebrities.
My wife Guia and sisters Helen and Laila were egging me on and even assumed the role of lookouts. I was about to call it a day when two maikos walking side by side emerged from another dark corner and were turning to an alley. “Kuya!” alerted my younger sister.
I bounded after them. The Taiwanese and Brazilian tourists, also a little bit wiser and bolder as usizeros, were on my heels. My experience as a documentarist kicked in, until I found myself shooting alone with the maikos, as the others faded from the chase.
The maikos were walking in measured, synchronized cadence on winding alleys. I only stopped clicking when I had that yahoo feeling and let go of the two to merge with the darkness.
As any photographer would attest, there is a joy that cannot be bought when you capture a moment. Mine was being able to have a candid image of the two maikos’ napes with their forked-tongue shape. This is akin to seeing Maria Clara’s ankles.
We left Kyoto very pleased. Before we did, we sampled the city’s renowned product, delicate cakes of fine glutinous rice and black beans.
Social graces in Japan dictate that you bring gifts when you see someone for a visit. Omiyage or pasalubong from the cake shops, complete with their wrappings and marked bags. For their packaging alone, they were irresistible.
Going back on the shikansen, I had along several bags with confection of pictures. Mission happily accomplished.
